Amelberga Vita Astuti

References: Film and Cinema Studies

Posted: May 23rd 2014

Disclaimer: the following titles are not yet checked for their citation style.

 

Readings:

Corrigan, T., & Patricia, W. (2010). The film experience: An introduction. (2nd ed.). Boston, New York: Bedford/St. Martins.

Prince, Stephen. (2006). Movies and Meaning: An Introduction to Film. (4th ed.). Boston: Allyn & Bacon.

Tinkcom, Matthew and Amy Villarejo. Eds. (1985). Keyframes: Popular Cinema and Cultural Studies. London: Routledge.

Cook, Pam. Ed. (1985). The Cinema Book. London: British Film Institute.

Nelmes, Jill. Ed. (2007). Introduction to Film Studies. Fourth Edition. London and New York: Routledge.

 

Other References:

Ahmed, Akbar S. “Hello, Hollywood: your images affect Muslims everywhere.” (The West and Islam) New Perspectives Quarterly, Spring 2002 v19 i2 p73-75

Arroyo, Jose. Ed. Action/Spectacle Cinema: A Sight and Sound Reader. London: BFI, 2001.

Austin, Bruce A. (1985). Current Research in Film: Audience, Econimics, and Law. Norwood-New Jersey, Ablex Publishing Co.

Bazin, A. (1971). What is cinema? Berkeley: University of California Press.

Biran, Misbach Yusa. (2009). Sejarah Film, 1900-1950: bikin film di Jawa. Depok : Komunitas Bambu.

Bordwell, David and Kristin Thompson, Film Art: An Introduction (7th ed 2004). Boston : McGraw-Hill

Bordwell, David, and Noel Carroll. Eds. Post-Theory: Reconstructing Film Studies. Madison: University of Wisconsin Press, 1996.

Burton, Graeme (2000). Talking Television, An Introduction to the Study of Television. London, Oxford University Press.

Chow, Rey. Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema. New York: Colombia University Press, 1995.

Cinemags, draft MFI, en.wikipedia.org/wiki/Film_theory

Corrigan, Timothy (1999). Film and literature: an introduction and reader. Upper Saddle River, N.J. : Prentice Hall

Corrigan, Timothy and Patricia White (2011). Critical Visions in Film Theory: classic and contemporary readings

Corrigan, Timothy and Patricia White (2012). The Film Experience: An Introduction. Boston : Bedford/St.Martins

Curtis, Richard H., Delinda C. Hanley. “Dr. Jack Shaheen Discusses Reel Bad Arabs: How Hollywood Vilifies a People.” (Interview) Richard H. Curtis, Delinda C. Hanley. Washington Report on Middle East Affairs July 2001 v20 i5 p103 (1858 words)

Deep, Kim “Deconstructing Hollywood: negative stereotyping in film.” (media section) Women in Action, Dec 2002 i3 p57(3)

Devereux, Eoin (2003). Understanding The Media. London, Sage Publications.

Eric Sasono. (2007). Kandang dan Gelanggang, Sinema Asia Tenggara Kontemporer. Kalam, Jakarta.

Frith, Simon (1993). Sound and Vision, The Music Video Reader. London, Rutledge.

Fuery, P. (2000). New developments in film theory. London: Macmillan.

Gehring, Wes D. Ed. Handbook of American Film Genres. New York: Greenwood Press, 1988.

Giannetti, Louis. (1996). Understanding Movies. Prentice Hall, USA.

Gledhill, Christine and Linda Williams. Eds. Reinventing Film Studies. London: Arnold; New York: Oxford University Press, 2000.

Goethe Institut, 4th Annual Southeast Asian Cinema Conference 2007, Jakarta

Grant, Barry K. (1986). Film Genre Reader. Austin: University of Texas Press.

Hayward, S. (1996). Key concepts in cinema studies. London: Routledge and Kegan Paul.

Helsby, W. (1999). Mastering film studies. London: Macmillan.

Hooks, B. (1997). Reel to real. London: Routledge.

Irawanto, Budi. (2004). Menguak peta perfilman Indonesia : pemetaan perfilman Indonesia tahap kedua. Yogyakarta : Jurusan Ilmu Komunikasi FISIPOL Universitas Gadjah Mada

Kellner, Douglas (1995). Media Culture: Identity and Politics between Modern and Postmodern. London. Routhledge.

Kuhn, Annete (1998). Cinema, Censorship, and Sexuality 1909-1925. London-New York, Routledge.

Lazere, Donald (1987). American Media and Mass Culture, Left Perspective. London, University of California Press.

Lehman, P. Ed. Defining Cinema. New Brunswick, NJ.: Rutgers University Press, 1997.

Mast, Gerald and Marshall Cohen. Eds. Film Theory and Criticism, New York and Oxford: Oxford University Press, 1985.

Mc,Quail, Dennis (2000). McQuail’s Mass Communication Theory. London, Sage Publication.

McQuail, Dennis (2002). McQuail’s Reader in Mass Communication Theory. London, Sage Publications.

Monaco, James (1981). How To Read A Film: The Art, Technology, Language, History, and Theory of Film and Media. New York, Oxford Yniversity Press.

Mulvey, Laura. Visual and Other Pleasures. Bloomington: Indiana University Press, 1989.

Neale, S., & Smith M. (Eds.). (1998). Contemporary Hollywood cinema. London: Routledge.

Nelmes, J. (Ed.). (1999). An introduction to film studies. London: Routledge.

Nichols, Bill. Ed. Movies and Methods, Volume II. Berkeley & Los Angeles: University of California Press, 1985.

Nowell-Smith, G. (Ed.). (1997). The Oxford history of world cinema. London: OUP.

Pirie, David (edt) (1981). Anatomy of The Movies: Inside The Film Industry. New York, MacMillan Publishing Co. Inc.

Prakosa, Gotot (1997). Film Pinggiran. Fatma Press.

Real, Michael (1996). Exploring Media Culture, A Guide. London, Sage Publications.

Rosen, Philip. Narrative, Apparatus, Ideology. New York: Columbia University Press, 1986.

Said, Salim (1991). Pantulan Layar Putih. Jakarta, Pustaka Sinar Harapan.

Said, Salim. (1980). Profil Dunia Film Indonesia. Jakarta : Grafitipers

Sen, Krishna (1994). Indonesian Cinema: Framing The New Order. London: Zed Books, Ltd.

Squuire, Jason E. (edt) (1983). The Movie Business Book. New York, Simon & Schuster, Inc.

Stam, Robert. (2000). Film theory: An introduction. Oxford: Blackwell Publishers.

The Oxford Guide to Film Studies, Oxford University Press, 1998.

Thomas, Sari. (Ed.) (1982). Film/Culture: Exploration of Cinema in Its Social Context. London, Scarecrow Press, Inc.

Turner, G. (1999). Film as social practice. (3rd ed.). London: Routledge.


One response to “References: Film and Cinema Studies”

  1. It抯 arduous to seek out educated people on this topic, however you sound like you already know what you抮e speaking about! Thanks

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